Leon Redbone
![]() | Born |
| Active Decades | |
| 19001020304050607080902000 | |
While his gravelly baritone and omnipresent fedora, dark glasses and Groucho Marx moustache made him one of the more distinct and recognizable characters in popular music, little is known about the neo-vaudeville crooner Leon Redbone. Throughout his career, he steadfastly refused to divulge any information about his background or personal life; according to legend, Redbone's desire to protect his privacy was so intense that when he was approached by the famed producer John Hammond, the contact number he gave was not his own phone, but that of a Dial-A-Joke service.
Because Redbone first emerged as a performer in Toronto during the 1970s, he was believed to be Canadian; his work, a revival of pre-World War II ragtime, jazz and blues sounds, recalled the work of performers ranging from Jelly Roll Morton and Bing Crosby to blackface star Emmett Miller. He made his recording debut in 1976 with On The Track, which featured legendary jazz violinist Joe Venuti as well as singer/songwriter Don Mclean; his 1977 follow-up Double Time even reached the U.S. Top 40 charts, largely on the strength of his frequent appearances on television's "Saturday Night Live."
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Because Redbone first emerged as a performer in Toronto during the 1970s, he was believed to be Canadian; his work, a revival of pre-World War II ragtime, jazz and blues sounds, recalled the work of performers ranging from Jelly Roll Morton and Bing Crosby to blackface star Emmett Miller. He made his recording debut in 1976 with On The Track, which featured legendary jazz violinist Joe Venuti as well as singer/songwriter Don Mclean; his 1977 follow-up Double Time even reached the U.S. Top 40 charts, largely on the strength of his frequent appearances on television's "Saturday Night Live."
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